Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Carlo Dolci 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
26859 Carlo dolci Carlo Dolci Carlo dolci mk52 1674 Oil on canvas 74.5x60.5cm Uffizi.Florence
96808 Madona Carlo Dolci Madona 17th century Medium oil on canvas Dimensions 74.5 X 62.5 cm cyf
96914 Mater dolorosa Carlo Dolci Mater dolorosa 17th century Medium oil on canvas Dimensions 51 X 39.5 cm cyf
28967 Portrait of Ainolfo de'Bardi Carlo Dolci Portrait of Ainolfo de'Bardi mk65 Oil on canvas 58 7/8x46 7/8in Uffizi
28966 Portrait of Stefano Della Bella Carlo Dolci Portrait of Stefano Della Bella mk65 Oil on canvas 23 3/16x18 7/8in Pitti,
81097 Ritratto di Stefano Della Bella Carlo Dolci Ritratto di Stefano Della Bella o/tv, 59 x 48 cm, Galleria Palatina, Palazzo Pitti, Firenze Date 1631 cyf
77822 Ritratto di Stefano Della Bella, Carlo Dolci Ritratto di Stefano Della Bella, Ritratto di Stefano Della Bella, o/tv, 59 x 48 cm, Galleria Palatina, Palazzo Pitti, Firenze cjr
28965 St.Andrew before the Cross Carlo Dolci St.Andrew before the Cross mk65 Oil on canvas 48x22 1/4in Pitti,Palatine Gallery
29210 St.Cecilia Carlo Dolci St.Cecilia mk65 ca.1670 Oil on canvas 49 1/2x39"

Carlo Dolci
Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months,
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